Gimpo

Nurseries are often the first place a bonsai aficionado will look for material. John Naka spent many hours stalking his local nurseries' “back 40” stock: the overgrown, neglected trees that had been sitting around for a while. On one such trip in 1950, he spotted several Blue Atlas cedar in five-gallon containers. They were grafted onto deodor cedar; most of them sported ugly grafting lines where the different cedars were joined. But one tree's graft was so low that it was nearly invisible. It wasn't the nicest looking tree of the group – but it was only $2.50, so John took it home to see what he could do with it.

For about twenty years, John moved this Blue Atlas cedar between the ground and a container. When trees are field-grown, the increase in trunk size accelerates, more branches develop, and scars heal faster. But to attain the quality of shibui (hidden beauty), a tree needs to grow more slowly in a pot. This is also the best time to focus upon branch refinement and ramification. Eventually, John was satisfied with its size, so the tree found a permanent home in a pot.

Gimpo, 1973
Gimpo, 1973
Details and larger version

John loved the silvery-blue foliage of the cedar, and he thought the powerful branches gave the impression of the fabulous wings of a super bird. Therefore, gimpo – Japanese for “silver phoenix” – seemed the perfect name for such a majestic tree. A bonsai master from Japan complimented the tree, stating that he had never seen such a clear, nice five-needle pine in his life. When informed that this was a cedar and not a pine, the bonsai master offered that in every category, the Blue Atlas cedar was superior to the five-needle pine.

The tree had two potential fronts, but on one side there was a big scar where a large branch had been removed. For many years, the front of the tree was chosen to hide the scar in the back. But eventually John decided that the back must become the front. His reasoning: “a scar will heal, but a bad front will never heal.”

Gimpo, 2000
Gimpo, 2000
Details and larger version


This is a revised and expanded version of an article that originally appeared in the NBF Bulletin.
© 2006 Cheryl Manning. All rights reserved.

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